Intermediate Jazz Lesson 1
Rootless dominant 7th voicings: Jazz Blues
A creative approach to chord voicings
Intermediate Jazz Lesson 7
Soloing on "Take The 'A' Train"
More practice with chord tones and passing tones
Intermediate Jazz Lesson 8
Becoming fluent using chord tones and passing tones
Intermediate Jazz Lesson 9
Charlie Parker Blues: Focusing on one chord at a time
Intermediate Jazz Lesson 18
How to Learn a Jazz Tune (Part 2)
Indiana: Musical style and pianistic texture
Intermediate Jazz Lesson 20
How to Learn a Jazz Tune (Part 4)
Indiana: Use the tune to learn something new
Intermediate Jazz Lesson 25
Melodic interpretation and variation (Part 1)
After You've Gone: Personalizing a song melody's rhythm
Intermediate Jazz Lesson 26
Melodic interpretation and variation (Part 2)
After You've Gone: Repeated notes, passing tones, and neighbor tones
Intermediate Jazz Lesson 27
Melodic interpretation and variation (Part 3)
After You've Gone: Changing the melody at will
Intermediate Jazz Lesson 28
Melodic interpretation and variation (Part 4)
After You've Gone: Basing your solo on the melody
Intermediate Jazz Lesson 29
The role of the left hand in solo jazz piano
An overview of what to play with your LH
Intermediate Jazz Lesson 30
A bunch of ii/V/I licks that use "guide tone lines"
Creating melodies using the stepwise motion between chords
Intermediate Jazz Lesson 31
Bill Evans-style accompaniment (Part 1)
Autumn Leaves accompaniment without walking bass
Intermediate Jazz Lesson 32
Bill Evans-style accompaniment (Part 2)
Autumn Leaves comping with rhythmic "hits"
Intermediate Jazz Lesson 33
Bill Evans-style accompaniment (Part 3)
A complex "Autumn Leaves" accompaniment texture