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Ron's blog on piano improv and the role of music in our lives

Are you improvising, or just “stringing together licks?”

Hey Improvisers, It’s common for beginning improvisers to start out by learning a bunch of licks and stringing them together to create solos. But is this really the best way to learn to improvise? Going further, is it really improvising? Wouldn’t it be better to actually improvise while learning to improvise? And it this it … Read More

Ideas for playing Pat Metheny’s “Missouri Uncompromised” on piano

Hey Improvisers, The guitarist Pat Metheny is one of those musicians who enjoys bringing various genres of music together, and his “Missouri Uncompromised,” which seamlessly blends jazz, folk, and country music together in a very organic way. It can be fun to adapt a guitar-oriented song to the piano ,and here are some ideas, and … Read More

Bringing some gospel/rock to The Beatles’ “Yesterday”

Hey Improvisers, Even though we sometimes think of musical genres as being separate, we can have a lot of fun by exploring the crossover between them. I did this on Friday, when I performed The Beatles’ classic song “Yesterday” at the Fairbanks Summer Arts Festival. Even though Paul McCartney’s original rendition was very folk-based, a … Read More

Playing “Over The Rainbow” with pop rhythms and jazz harmonies

Hey Improvisers, One of my favorite styles to play is what I call “Taylor Swift-style jazz piano.” The basic concept is to play a favorite jazz ballad with all the usual jazz harmonies, but with a nice, contemporary pop rhythmic feel. I particularly like to use a folksy finger style guitar-like texture, which I call … Read More

Ideas for playing Eric Dolphy’s “Miss Ann” as a jazz piano solo

Hey Improvisers, What do you do when you encounter a jazz tune that’s a little out of the ordinary? Well, one approach is to look to another style of music for inspiration, and if possible, see if this style is aligned with the tune itself. Case in point: Eric Dolphy’s “Miss Ann.” “Miss Ann” is … Read More

To transcribe or not to transcribe; that’s the question!

Hey Improvisers, Have you ever transcribed a recorded solo by your favorite musician? If you have, what was your experience? Did you enjoy the process? Did it help you understand how to improvise better? While transcribing is a very helpful way to improve our ear and develop our improvisational abilities, it’s often over-emphasized as the … Read More

Bringing variety to your hard bop jazz piano playing

Hey Improvisers, Playing bebop and hard bop can be fun, but do you ever feel like you’re just playing the same stuff over and over again? If so, you’re not alone. But don’t worry, there are specific things you can do to remedy this and bring some variety to your playing. One of the best … Read More

Ideas for playing John Lewis’s jazz standard “Milano” on piano

Hey Improvisers, Well, our journey through The Real Book has brought us to another important tune, “Milano.” “Milano” was composed by the jazz great pianist/ composer John Lewis, who is perhaps most famous for being the driving force behind The Modern Jazz Quartet. “Milano” is just as melodic as Lewis’s other tunes, such as “An … Read More

Do you need to use rootless voicings to play “real” jazz?

Hey Improvisers, Question: What do Bud Powell, Erroll Garner, Duke Ellington, Thelonious Monk, and Fats Waller have in common? Answer: They didn’t usually play rootless chord voicings with their left hands. What????? Aren’t rootless voicings an essential part of jazz piano? Aren’t they the first thing beginners have to learn? Aren’t they the key to … Read More

The 1970s Pat Metheny Group: Jazz Fusion 2.0

Hey Improvisers, Have you ever listened to The Pat Metheny Group’s initial recordings from the mid-1970s? They’re wonderful, and this live performance of “Midwestern Nights Dream” gives us a feeling for their musical vision. Midwestern Nights Dream (Live 1977) Looking back at that period, Metheny can be seen as helping to usher in a “second … Read More

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