Have you ever played the Miles Davis tune “Four?” It’s a fun tune to play, and if you’ve played it, here’s a follow-up question: have you ever played it correctly? And here’s yet another related question: does it even matter if we’ve played it correctly? The reason I’m asking is that first learned “Four” from the old 5th edition of The Real Book, and although I didn’t realize it at the time, both the melody and chord changes were wrong. Actually, I think I did realize it at the time, but I frankly didn’t care enough to do anything about [...]

I recently read a forum post where someone wrote that, as a professional pianist, he uses The Real Book on recording sessions because he “want to make sure he’s playing the original chords to jazz standards.” Well, everyone’s entitled to their own opinion, but the fact is that The Real Book, while a valuable resource, doesn’t always have the original chords. Indeed, the book was originally conceived as a way to show the chords that jazz musicians actually played, rather than the “sheet music” chords the composers sometimes wrote. And taking this line of thought further, the original Real Book [...]

Have you seen the article about Prince in the recent issue of The New Yorker? It’s by Dan Piepenbring, who was in the beginning stages of collaborating with His Royal Purpleness at the time of Prince’s death. (Interesting fact: According to his sister, Prince’s favorite color was actually orange, not purple.) The New Yorker article is in the category of “giving us a glimpse into Prince as a person, behind the public persona he so carefully cultivated over the years.” Yes, he was a real person, who practiced piano incessantly while preparing for his solo piano tour. Here’s the article: [...]

Have you ever used the fitness app on your cellphone to keep track of how many steps you’ve taken on a particular day? I recently started doing this myself, and I’ve had a lot of fun trying to get in 10,000 steps each day. Why 10,000? Well, it’s a nice round number, easy to remember, and it’s just a bit more than I would naturally do on a daily basis. So I’m gently pushing myself to stay (get?) in shape by using the technology in a productive way. Also, 10,000 steps turns out to be about 20% more walking than [...]

With all the available jazz piano instructional materials readily available these days, it may seem ironic that so many aspiring jazz pianists feel “stuck” at their current level. But perhaps this is inevitable, because becoming a fluent jazz pianist isn’t simply a matter of learning more and more scales, licks and chord voicings which is mostly what we see in books and on the internet. Instead, you’ll attain your jazz piano dreams by following these 5 ways to becoming truly fluent with jazz: 1. Aim for Flow first, Complexity later This mind-shift completely reverses the mistake most beginning and even [...]

In every performance situation, find a way to play for yourself. You love music, and you owe it to yourself to find a way to enjoy your own piano playing, no matter who is listening. Listen to the music, as you would if someone else was playing. Tap into your innermost enjoyment of the music, and simply share that with everyone else. Yes, it’s possible… with some practice. In every performance situation, find a way to play for yourself. Enjoy the journey, and “let the music flow!” Ron PS - The Rolling Stones are currently on a US tour, and [...]

Neil Young is angry. He’s angry that the sound quality of recorded music has degraded over 95% from the glory days of vinyl until now, with most of the world listening to streaming recordings. It’s like going into a museum and looking at digital thumbnails of the Mona Lisa and other masterpieces instead of seeing the real things. Here are his views in more detail: Neil Young hates what the internet has done to music https://boingboing.net/2019/08/20/neil-young-hates-what-the-inte.html Yes, he’s correct. There’s about 20x more information on a vinyl recording from the golden age of records, such as The Beatle’s White Album [...]

Question: What do Billie Holiday, Charlie Haden, Kenny Barron, and Ravi Coltrane know that most jazz musicians don’t? Answer: They know that 1940s ballad, “For Heaven’s Sake,” is a great tune to play! When we want to play a ballad at jazz jam sessions, we typically play such chestnuts as Duke Ellington’s “In A Sentimental Mood,” Horace Silver’s “Peace,” or Chick Corea’s “Crystal Silence.” In fact, even if we have previously learned “For Heaven’s Sake,” we’d probably get blank stares if we called it an impromptu session. However, the tune is beautiful, and as the above artists discovered for themselves, [...]

I’m spending a few days in rural Vermont, and last night a friend who lives here took me to visit her brother, who plays classical guitar. After a while, this friend asked her brother to play some music for me and this is the rare and amazing part: He said that he’d be happy to play something because he “needs more experience performing for an audience,” and then he proceeded to beautifully play a piece that was very simple for him. In my experience, this almost never happens, and this is what makes it all the more extraordinary. When faced [...]

A few weeks ago I lightheartedly titled one of my improvisations “This is the kind of blues that you don’t hear much anymore.” As I was re-watching my latest Journey Through The Real Book video, I smiled and thought it could be called something in a similar vein: “This is the kind of jazz ballad playing you don’t hear anymore.” In jazz, we tend to hear recordings that are “modern” at any given point in time, and forget that they don’t necessarily reflect the what listeners heard in nightclubs every evening. A good example of involves solo piano jazz ballad [...]