Hey Improvisers, The New Year is a good time for reflection, and as we near the transition into 2023, let’s look at the missing ingredients in the way most people make New Year’s resolutions. This will help you achieve your goals for the upcoming year. New Year’s resolutions are usually about what we’d like to do differently, such as “I’d like to practice piano more,” or “I’d like to learn jazz.” These types of resolutions are good, of course, but the fact is that most people don’t stick with them for very long. They start out enthusiastically, but by February [...]

Hey Improvisers! “Beware the Jabberwock, my son.” (Lewis Carroll) Have you heard of the iv/VII/iii chord progression? If not, then count your blessings and skip down the page a bit. If you have heard of it, it may be because you’ve looked at the opening chords of “Autumn Leaves,” Am7/D7/Gmaj7, and tried to fit them into the key of E minor, which the ‘A’ section ends in a few measures later. Or, perhaps you’ve heard someone else refer to these chords as a iv/VII/iii chord progression in the key of E minor. (If you’re playing “Autumn “Leaves” in the key [...]

Hey Improvisers, Here's an interview that Dr. Bob Lawrence of The Dallas School of Piano did with me. Bob is an amazing interviewer and took me back to my very beginnings as a pianist. To date, this is the only place where you can hear my “musical life history.” Ron Drotos interview: https://www.jazzpianoskillspodcast.com/special-guest-ron-drotos/ Enjoy! Ron Learn the 5 Essential Left Hand Techniques with my free ebook: Left Hand Techniques for Jazz Piano You'll also get my weekly jazz newsletter with practice tips and inspiration

Hey Improvisers, I vividly remember the first time I saw a pianist reharmonize a jazz standard. It was in 1983 and I was attending a 2-week jazz workshop with the great jazz pianist Billy Taylor. During our first class, Billy sat down at the piano and changed the chords to a jazz ballad. Wow! While I don’t remember which tune it was, I do remember the feeling of being amazed by this. Taylor was finding exciting new sounds in a tune that I had played countless times. I wanted to learn how to do that myself! Later, I discovered another [...]

Hey Improvisers, Do you want to play some classic rock? Great! So let’s go to a traditional Italian wedding and dance the tarantella, OK? No? Why not? Isn’t traditional Italian folk music the kind of classic rock you enjoy listening to? Well… if you enjoy The Beatles’ “Yellow Submarine,” then you absolutely do enjoy Italian folk music, since the song uses the tarantella rhythm as well as a very traditional chord progression in the famous chorus… “We all live in a Yellow Submarine…!” “Yellow Submarine” is a great example of how folk music has influenced rock music. The Beatles took [...]

Hey Improvisers, As wonderful as it is to develop our unique musical personalities, it can sometimes be fun to simply play a jazz standard in “the tradition.” Case in point: My Romance My Romance, which was composed by the great songwriting team of Rodgers and Hart, has become the epitome of swinging, mainstream jazz piano at it’s best. When I sat down to play it during my Journey Through The Real Book, I decided to ride the wave of mainstream jazz piano, in the tradition of Oscar Peterson, James Williams, and my teacher Billy Taylor. I had a lot of [...]

Hey Improvisers, Is “Strawberry Fields Forever” the Beatles’ greatest song? Well, whether it is or not, it certainly revolutionized their sound. Producer George Martin recalled how fresh and unexpected the music and lyrics sounded when John Lennon first played it for the group while strumming his acoustic guitar. After a couple dozen attempts at arranging the song, engineer Geoff Emerick amazingly managed to splice together the beginning of one arrangement and the ending of another, which were originally in two different keys and at different tempos as well. The result is a landmark in modern musical history. Here are some [...]

Hey Improvisers, There are two stages to playing songs by The Beatles on piano. First, we simply get comfortable playing the chords and melody, seeking to emulate the overall feel of the Beatles’ recording. After a while, though, I’ve found that I want to go deeper. After all, we don’t have John and Paul harmonizing along with us, and often, something seems to be missing. What can we do to bring out the magic of these great songs? I’ve found that the answer is to personalize the songs. We can bring something of our “own” to the table, whether it’s [...]

Hey Improvisers, One essential step that many players skip when learning jazz waltzes it to play then straight, as traditional waltzes. Although it may be tempting to plunge right in with your favorite Bill Evans-style jazz waltz rhythm, take a moment to play your favorite ¾ tune as a traditional waltz. You know… 1-2-3, 1-2-3, with an “oom-pah-pah” left hand pattern, One of the reasons why players of the past such as Bill Evans played jazz waltzes so well is that they had so much previous experience playing straight waltzes and even dancing them because waltzes were such a big [...]

Hey Improvisers, What do you do when you look at the leadsheet for a tune you’ve never heard? Well, if you’re like most people, you probably turn the page and look for something more familiar. Yet, this approach, while understandable, also limits us. Part of the challenge is that the days are long gone when jazz standards were popular songs. It didn’t take a lot to get Miles Davis to enjoy playing, say, “If I Were A Bell,” because the song was a big hit during the 1950s when Miles recorded it. He heard the song everywhere, and was inspired [...]